Culture5th century

Hunting Scene, Muyongchong Tomb

Also called: Tomb of the Dancers hunting mural

A mural in the Goguryeo Tomb of the Dancers: mounted warriors twist back to shoot at fleeing tigers and deer — an image of Goguryeo vigour.

Hunting scene in Muyongchong — Goguryeo riders shooting backwards at fleeing tigers and deer
Hunting scene in Muyongchong — Goguryeo riders shooting backwards at fleeing tigers and deer

Unknown author · Public domain · Source

Muyongchong (the Tomb of the Dancers) is a stone-chamber tomb with a passage near Gungnae, Goguryeo’s second capital (today’s Ji’an, Jilin, China). It is named after the dancing figures painted on its walls; stone-chamber tombs offered walls and ceilings that could be painted.

The hunting scene on the west wall shows riders turning in the saddle to shoot backwards (the “Parthian shot”) as tigers and deer flee, with mountains drawn as bold wavy bands. The lively, forceful style captures a people famed for riding and archery.

Early Goguryeo murals depicted the daily life of the tomb owner — hunting, dancing, receiving guests — while later ones, such as the Gangseo Great Tomb, centre on the Four Guardian Deities under Daoist influence. The Goguryeo sites around Ji’an became a UNESCO World Heritage Site in 2004.

The map in AD 450

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States and rulers at the time
Goguryeo — King Jangsu
Places
Gungnae-seong

Before and after

Themes that include this event

  • The Course of Korean PaintingAD 450 – 1897

    From Goguryeo tomb murals to Jang Seung-eop — daily life and guardian deities, Goryeo Buddhist painting, early Joseon landscapes, true-view landscapes and genre painting, literati and folk painting