CultureLate Goryeo (14th century)

Goryeo Water-Moon Avalokiteshvara

Also called: Suwol gwaneumdo, Goryeo Buddhist painting

Goryeo Buddhist paintings of Avalokiteshvara seated on a rock by the water — rich colour and gold with exquisitely transparent veils.

Goryeo Water-Moon Avalokiteshvara seated on a rock by the water — Metropolitan Museum of Art
Goryeo Water-Moon Avalokiteshvara seated on a rock by the water — Metropolitan Museum of Art

Unknown author · CC0 · Source

The subject comes from the Avatamsaka Sutra: Avalokiteshvara seated on a rock at Mount Potalaka by the southern sea, receiving the pilgrim boy Sudhana. In late Goryeo the royal house and powerful families sponsored many such paintings. They use red, green and gold paint yet render the transparent silk veil over the body and the patterns of the robes with extraordinary delicacy. The painting commissioned in 1310 by Consort Sukbi of King Chungseon (Kagami Shrine, Japan) is a masterpiece, as is Hyeheo’s Avalokiteshvara with a teardrop-shaped halo (Sensō-ji, Japan).

About 160 Goryeo Buddhist paintings survive, most of them in Japan and elsewhere abroad.

The map in 1310

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States and rulers at the time

Before and after

Themes that include this event

  • The Course of Korean PaintingAD 450 – 1897

    From Goguryeo tomb murals to Jang Seung-eop — daily life and guardian deities, Goryeo Buddhist painting, early Joseon landscapes, true-view landscapes and genre painting, literati and folk painting