CultureLate 5th – early 6th century

Cheonmado (Heavenly Horse Painting)

Also called: Heavenly Horse Mudguard

A Silla painting from the Cheonmachong tomb in Gyeongju: a white horse flying across a saddle flap — almost the only painting surviving from Silla.

Cheonmado mudguard — a flying white horse painted on birch bark, from Cheonmachong, Gyeongju
Cheonmado mudguard — a flying white horse painted on birch bark, from Cheonmachong, Gyeongju

Unknown author · Public domain · Source

It was found in 1973 when Cheonmachong (Tomb No. 155, Hwangnam-dong, Gyeongju) was excavated. A janni is a mudguard hung from the saddle to keep mud off the rider; this one is made of layers of birch bark, painted with a white horse galloping through the sky, tail raised, framed by a scroll border. It is a National Treasure.

Silla’s stone-mound wooden-chamber tombs had no stone chamber and so, unlike Goguryeo and Baekje tombs, no murals. The Cheonmado is therefore almost the only evidence of how Silla painted. Some scholars read the animal as a qilin, a mythical beast, rather than a horse. It is kept at Gyeongju National Museum.

The map in AD 500

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States at the time
Silla
Places
Gyeongju National Museum (Bell of King Seongdeok)

Before and after

Themes that include this event

  • The Course of Korean PaintingAD 450 – 1897

    From Goguryeo tomb murals to Jang Seung-eop — daily life and guardian deities, Goryeo Buddhist painting, early Joseon landscapes, true-view landscapes and genre painting, literati and folk painting