Culturereign of King Heongang of Silla (late 9th c.)

Cheoyongmu

Also called: Cheoyong dance

A court dance derived from the tale of Cheoyong in the reign of King Heongang of Silla. Five dancers in Cheoyong masks wear the colours of the five directions; it became Intangible Cultural Heritage of Humanity in 2009.

Cheoyongmu — five dancers in Cheoyong masks and the colours of the five directions
Cheoyongmu — five dancers in Cheoyong masks and the colours of the five directions

Sotiale · CC BY-SA 3.0 · Source

According to the Samguk yusa, when King Heongang went out to Gaeunpo (in today’s Ulsan), Cheoyong, a son of the Dragon of the East Sea, followed the king to Seorabeol and received an office. When the spirit of pestilence violated his wife, Cheoyong sang a song (the hyangga "Cheoyongga"), danced and withdrew; moved, the spirit swore never to enter a place bearing Cheoyong’s image. From then on people put Cheoyong’s face on their gates to drive away evil.

At the Goryeo and Joseon courts Cheoyongmu was danced in the year-end exorcism (narye) and at banquets. The Akhak gwebeom of King Seongjong’s reign describes the dance and masks in detail. It is danced by five Cheoyongs in blue, white, red, black and yellow, the colours of east, west, south, north and centre, so it is also called Obang Cheoyongmu. It is the only court dance performed in masks of human faces. It was inscribed by UNESCO as Intangible Cultural Heritage of Humanity in 2009.

The map in AD 880

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States and rulers at the time
Silla — King Heongang

Before and after

Themes that include this event

  • Intangible and World Heritage2000 BC – 1850

    From the dolmens to Namhansanseong on the World Heritage List, from Jongmyo ritual music to ssireum on the Intangible Heritage lists — where each came from and when it was inscribed